The plan is slightly inclined

Simple geometric forms communicate complex ideas. Two symmetrical shapes, which can be interpreted as equally inclined planes or mechanical structures, are clearly outlined against a uniform, pastel background.

The use of linear elements creates

the illusion of three-dimensional space

on the flat surface of the canvas.

The flat color in the painting,

with it's subtle, pink tones, gives the work a calm, yet simultaneously warm mood. In contrast are two figurative figures.

The composition of the work balances between symmetry and asymmetry, where each element is precisely placed, creating a sense of balance despite

the slightly asymmetrical arrangement

of the two figures.

The simplicity of form and the limitation to a few colors allow for a focus

on the symbolism and emotions

that the painting is meant to evoke.

Boundaries in this painting are lines subtle and unnoticed at first glance, similar to the delicate incline of a slope. In life, too, boundaries are often unclear or unnoticed. Sometimes they are only recognized after being crossed.

The slightly inclined plane is a metaphor for changes that occur slowly

and inevitably, similar to movement

on a gently sloping surface. The lines

in this composition are life paths

and human experiences, which

are not always straight or predictable.