Untitled

The painting consists of simple, geometric forms, mainly rectangles, which are arranged in a large white space. These shapes, devoid of details, focus attention on the forms themselves and their relationships with each other. The rectangles vary in size and color, which gives the composition dynamics and rhythm.

Minimalism is a key aspect of this painting. The composition is based on several clusters of adjacent geometric shapes, with a lot of “empty” space, which emphasizes the simplicity of the forms. The lack of unnecessary details and a limited color palette enhance the impression of harmony and order. The minimalist approach allows the viewer to focus on the basic aspects of the image, such as form, color and composition. On the mutual influence of geometric forms.

The arrangement of elements in the painting is well-thought-out and balanced. The main group of rectangles is placed closer to the center, creating a focal point that attracts the eye. Smaller elements are placed on the edges, which gives the composition a sense of balance despite its asymmetrical arrangement. The space between shapes is as important as the shapes themselves, creating visual breath and allowing the work to be freely perceived.