Golden hour

“Golden Hour” draws inspiration from the warmth of Tuscany—its sunlit streets, peaceful conversations, and urban harmony. The artist captures a moment when people come together to rest, talk, and enjoy each other’s presence, referencing the Italian culture that celebrates everyday human interactions.

The dominant color in the painting is a warm ochre tone, reminiscent of sun-drenched Italian facades. The background becomes a metaphor for warmth—not only physical, but also emotional, evoked by human connection. The figures are reduced to minimalist forms, giving them a universal quality and allowing the viewer to relate to their situation.

The characters—schematic, elongated, and embedded within geometric shapes—suggest their rootedness in the urban landscape. They can be interpreted as symbols of social relationships, where people live in close proximity but are often separated.

The painting radiates peace and harmony. It can be read as a story of everyday meetings, neighborhood conversations, and moments of respite that build the social fabric of cities. The minimalist form of the figures and their placement create a sense of intimacy, but also a touch of nostalgia—as if a fleeting moment has been captured, one that will soon fade into the warm light of the setting sun.